godzilla is the mongoose.

Brilliant new friend Erica has a blog post up on the new Godzilla film, expanding on the highly intriguing theory she put forth at the Supersecret Writing Retreat:

Godzilla (2014) is actually a shot-for-shot remake of Kipling’s Rikki-Tikki Tavi.

(Obvious spoiler warning.)

I fully endorse and support Erica’s interpretation. It just makes total and absolute sense.

(And yes, this is the kind of thing that’s thought up and talked about when SpecFic writers get together and write and drink a lot.)

 

mul-ti-pass.

So I found myself at the K-Marts yesterday to procure some kid shoes and some mothereffin’ Cold Water Tide laundry detergent LIKE A BOSS, when I walked past a life-sized poster display of THIS:

1474699-nicki-minaj-GL-Wood-617-409

And I swear to you, my first thought was “It’s official. We’re living in the Fifth Element future.”

now this is how you do a movie trailer.

I like movie franchise reboots in general when they take a tired or campy old property and breathe new life in it. (In recent years, the Batman and James Bond reboots come to mind as well-done examples.)

One property in desperate need of a good kick in the script is Godzilla, because the last effort in that direction left us with the utter stinker that was the 1990s US reboot. There’s a new version coming out in 2014, and it has a trailer now:

It looks dark and terrifying and not the least bit campy. If they can manage to not fuck it up, this one may be that elusive Un-Sucky American Godzilla Movie. If anything, it evokes the feel of the original 1954 Godzilla, which was also dark and scary (for the times) and not at all like the later cutesy dude-in-a-suit Godzilla flicks.

back from nerd prom.

Readercon was great, but I racked up a serious sleep deficit while partying and going out to breakfast, lunch, and dinner with my friends. I’m not complaining, though–it was a lot of fun, and I’d been looking forward to it all year.

On Saturday, I managed to run over to the mall with my friend and fellow VPXII grad Chang to see Pacific Rim, a.k.a. Monsters Vs. Battlemechs. It was jolly good fun (I mean, it’s kind of hard to fuck up ROBOTS PUNCHING HUGE MONSTERS IN THE FACE), and much more deep and poignant in spots than you’d expect from a monster/disaster flick. I will say that the most terrifying and emotionally gripping giant monster movie of all time wasn’t Pacific Rim–it was Mako Mori’s flashback in the middle of Pacific Rim.

Now I’m knee-deep in developmental edits. 47North will re-release the first book when the second one comes out (in January 2014, as far as I know), and I added a fair bit of material to flesh out the world a little more and give Andrew a bit more to juggle at the end of the book. For those of you who have read the book, I can tell you that the second-to-last chapter (Chapter 23) has had a substantial rewrite, for example.

Next week I have to get to work on the edits for book #2 (Lines of Departure). The few people who have read both manuscripts are uniformly of the opinion that Lines of Departure is a substantially better novel than Terms of Enlistment*, so if you liked the first one, you should be quite pleased with the second one.

*Not that Terms of Enlistment sucked or anything. But I didn’t have to spend half the novel on boot camp and world-building, so there was more elbow room for Stuff Blowing Up.

 

 

not just another teen movie.

There’s a new trailer for the Carrie remake, and it looks pretty good.

It seems that the remake is playing it even darker than the original, which wasn’t exactly a sunny rom-com to begin with. Also, Chloe Moretz (a.k.a. Hit-Girl from Kick-Ass) has turned into a really impressive actress. I loved the hell out of Let Me In, another horror remake–this one of the Swedish Let The Right One In. I wouldn’t be surprised if Moretz’s role in this remake had a lot to do with the critical acclaim for her role in that other remake.